27th May 2015
Edinburgh Usher Hall
Whilst it is difficult to imagine anyone viewing Don
McLean as a one-hit-wonder (he has enjoyed two other UK Number Ones, for
goodness sake), there is no doubt the presence of The Big One has cast a long,
and occasionally impenetrable, shadow over his long career. I noted that he recently has sold at auction
his original written lyric for American Pie, including sixteen pages of explanatory
notes…..for £1.2 million! Now that is
what I call a pension scheme.
My personal exposure to McLean over the years has not really
extended much beyond his second album, and a "Best of" CD I picked up
cheap from Asda a few years back. So, I
fully expected to be hearing a number of unfamiliar tunes this evening.
Playing in front of a five-piece band – Nashville stalwarts
all – proceedings opened with a remarkably lumpen rendition of Buddy Holly’s Everyday. This really could have been a
fair-to-middling pub band at play here.
Jerusalem came next: a sprightly
enough ditty, unfortunately weighed down by some appallingly trite lyrics:
"And you will show, show the way, to all who see it shine,
That we can live, in peace, in Jerusalem this time.
Jerusalem is old,
Jerusalem is new,
Jerusalem can
hold, Muslim, Christian, Jew."
I rather doubt this Don, and one can be fairly sure a
thousand years from now these clowns will still be bickering over ownership of
worthless caves and rocks; murdering each other’s children in the process.
Not an auspicious start to the gig then, but the time we
had reached Cocaine Blues things had picked up considerably, and a trio of the
man’s better known recordings : And I Love You So, Castles in the Air and
Crying soon came along.
Whilst the casual listener may consider McLean to be a
bit of a folkie, on this evening’s evidence C&W appeared to truly be where
his heart lies these days. For we were
treated to a fair few slices of Americana, of which Danny Flowers’ Tulsa Time in
particular stood out I felt.
Then without any preamble, McLean moved straight into “Long,
long time ago” and the atmosphere in the place changed. Folks stood up and set to dancing and to bellowing
along with the chorus like dafties; young and old alike. Sitting, as we were, in the third row I did
wonder what Mclean must have thought had he caught sight of my teenaged
daughter singing along – every single verse word perfect.
Whilst McLean, due to hit 70 in a few months’ time does acknowledge
his picking skills ain’t what they once were, his voice has lost only a little
of that unmistakeable quality. This evening
he effortlessly negotiated that vocal assault course Crying, without putting a
foot (or note) wrong. His hair does look
rather odd, though... and I could not help but wonder if hidden within that extravagant
thatch was the most epic comb-over seen on these shores since the days of
Arthur Scargill in his pomp.
The encore was a mixed bag, with a brace of country-fest shindigs
bookending Vincent, which was itself prefaced by a few a few lines from the
Sinatra standard Lost in the Stars.
And I sat with the rest of the Usher Hall in rapt silence
luxuriating in his paean to Van Gogh, I could not help but reinforce my view
that this song, and not the Pie one, really represents McLean’s true crowning
glory.
Don McLean - Edinburgh 2015 |
Don McLean - Edinburgh 2015 |
Don McLean - Edinburgh 2015 |
Setlist
Everyday
Jerusalem
Homeless Brother
Cocaine Blues
Beautiful Eyes
And I Love You So
Castles In The Air
Crossroads
Tulsa Time/Deep in the Heart of Texas
??
Crying
Midnight Special
??
He's Got You
American Pie
??
Encore
Ain't She a Honey
Lost in the Stars
Vincent
Greenback Dollar
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